demographic: seinen


2020


'Electric Dragon 80.000V': Raw Power 
Gakuryū Ishii's hourlong, warp-speed clash of pseudo-superheroes is still deafeningly good fun after twenty years
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'Gojoe': The Demons On The Bridge 
Twenty years later, Gakuryū Ishii's revisionist samurai legend still dazzles and jolts like few other movies of its kind
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'HUMAN LOST': The Death Wishers 
Why transmute Ozamu Dazai's 'No Longer Human' into medico-punk science fiction? Good question
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'Gemini': Of Self And Other 
Shinya Tsukamoto's seething, psychedelic adaptation of Edogawa Rampo's work remains one of his best films
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'Boogiepop': The Antibody Has A Voice 
Kouhei Kadono's knotty novels walk us backwards through the tangled stories surrounding a being that arises just long enough to right the world when it has fallen out of joint
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'BNA: Brand New Animal': Taming The Beast 
Comparison with 'Beastars' is inevitable, but Studio Trigger's story of man-animal hybrids trying to live in harmony plays it safer and more accessible -- and less intrinsically interesting
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'Tokyo Godfathers': Three Vagabonds And A Baby 
Satoshi Kon's most "conventional" movie was also his funniest, a coincidence-driven romp through Tokyo's lower depths
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'Dorohedoro': Black (Magic) Comedy 
Blackly funny, rollicking, and spectacularly animated, the adaptation of Q Hayashida's equally off-the-wall manga is another high point for Netflix's anime coproductions
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'Ghost In The Shell: SAC_2045': A Withered Husk 
Easily the weakest 'Ghost In The Shell' project thus far, but with a tease of hope at the end of its first half
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'Beastars': Animal House 
That very rarest of breeds: a truly adult show
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'Giant Robo': The Mecha Opera 
This grand and glorious epic returns to home video for English speaking audiences in a spectacular new Blu-ray Disc edition; it is as essential as it gets
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2019


Junji Ito's 'No Longer Human': No Longer Dazai 
A manga horror icon takes on a classic of modern Japanese literature, and makes it his own in ways both fascinating and baleful
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Gō Tanabe's 'At The Mountains Of Madness': Horror's Human And Inhuman Faces 
Gō Tanabe's two-volume adaptation of Lovecraft's classic novella shouldn't be missed by fans of that writer, by lovers of comic adaptations, or by those who want to see manga at its best
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'Ryuko': International Woman Of Mystery 
A gorgeous homage to everything from Meiko Kaji's femme-violence films to 'Black Lagoon', but it's too top-heavy with plot and not resourceful enough about its own best ideas
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'Izo': Takashi Miike's Death (And Resurrection) Mantra 
Even longtime Takashi Miike fans were alienated by this mix of Miike's fetishes, 'Slaughterhouse-Five', and William S. Burroughs's space-age shamanism, but it deserves fresh eyes and open minds
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'Genius Party / Genius Party Beyond': Visions Of Twelve 
These two anthology showcases of boundary-pushing animation are now at last enshrined on disc for English-speaking audiences, as they've always deserved to be
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'Carole & Tuesday': The Mars Volta 
Shinichiro Watanabe's new series, about two young women trying to make their music their way, either needed more SF or less of it to really work
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Akio Jissōji's 'The Buddhist Trilogy' 
Almost totally unseen outside Japan, these three art projects by a director best known for his 'Ultraman' work are anything but easy viewing, but also seething with vision and ambition
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Tomihiko Morimi's 'The Night Is Short, Walk on Girl': How One Thing Leads To Another 
This newly translated novel, the basis for Masaaki Yuasa's madcap movie, is just as wild as its successor, with the advantage of slightly more insight into its female protagonist
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'Tomie': The Infinite Bad Penny  
Like all great horror, Junji Ito's now-classic series about an undying supernatural siren has something to say other than "boo!"
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See more seinen posts from 2019