meta: From The Manga


2019


'Princess Jellyfish': Girls, Be Ambitious! 
A sly treatise on gender roles and presentation, wrapped in a screwball romantic farce and delivered with great affection
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'Black Lagoon': Boiled Harder 
The animated adaptation of Rei Hiroe's ferocious homage to '80s action and Hong Kong cinema has all the attitude and muscle of its source, and also all its soul and insight
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2018


'The Ghost In The Shell: Global Neural Network': Four Ways Into The Shell 
Four teams of writers and artists from Western comics deep-dive into the 'Ghost In The Shell'-verse, and arise with four divergent and arresting visions
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'Bleach' (2018): Kid Janitor Of The Spirit World 
A dialed-down take on elements from the first major story arc of Tite Kubo's long-running shōnen actioner, it's no classic but no disaster either
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'A Silent Voice': Children Of Lesser Gods 
A gorgeous adaptation of the acclaimed manga, and a story with a hard moral question: Who gets to be redeemed?
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'Ichi The Killer': The (Sado)Masochism Tango 
Nearly twenty years later, this remains Takashi Miike's most notorious film, but notoriety is about all it has left going for it
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'Fullmetal Alchemist' (2017): Ed And Al, In Miniature 
Further proof that some anime-to-live-action adaptations need to either be done at the right scale or not done at all
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2017


'Wolf Guy': Bark At The Moon 
A truly strange specimen from Sonny Chiba's filmography, and an illuminating early example of how manga adaptations were a perfect fit for 1970s exploitation cinema from Japan
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Netflix's 'BLAME!': Killy Walk With Me 
Recast into a two-hour movie, Tsutomu Nihei's metamorphic cyberpunk hellscape manga emerges all the more as a graduate of the 'Mad Max'/Man With No Name school of drifter/loner heroes
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The Soul Of A New 'Ghost' 
Very little is known about the recently announced 'Ghost In The Shell' animation project, but the people on board so far are about as good as you could ask for
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The Cracks In The 'Shell' 
Whatever my own readings of the film, the 2017 'Ghost In The Shell' is still problematic in ways that are potentially a bad model for other live-action anime
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'Osamu Tezuka's Metropolis': Little Robot In The Big City 
In the hands of 'Akira' creator Katsuhiro Ōtomo and 'Dagger of Kamui' director Rintaro, Osamu Tezuka's early manga became a wide-gauge spectacle that retained its childlike innocence and soul
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'Ghost In The Shell 2: Innocence': Farewell, My Lovely 
Everything that was both grand and frustrating about Oshii's original 'Ghost In The Shell' film is redoubled in its follow-up, a visionary work that neglects to give its characters their own voices
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'Attack On Titan: The Movie': A Dead-Action Film 
Misguided, tone-deaf, ugly, and erratically paced, this is one of the rare occasions where a promised Western remake might actually be just the response we deserve
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'Bungo Stray Dogs': Six (Or More) Authors In Search Of Some Character 
'Abraham Lincoln: Vampire Hunter' for the J-lit set; a show that has one great creative invention and then spends its entire runtime doing nothing of consequence with it
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2016


'Neji-shiki'/'Screwed': A Peek Into The Pit 
How to film Yoshiharu Tsuge's landmark work of surrealist comics? Leave it to master of weirdness Teruo Ishii, albeit with mixed results
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'Barakamon': The Problem With Getting Away From It All Is You Always Take It All With You 
Having a city slicker hit the sticks isn't an innovative story by itself, but 'Barakamon' has heart, humor, and some surprising insight into what makes creative people tick
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'Lone Wolf And Cub': The Boy And The Beast 
Kazuo Koike's perennial manga classic was adapted for the big screen in this cycle of six pop-pulp masterpieces, where father and son slash, stab, shoot, and slice their way through hell
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'Berserk' (2016): What Becomes Of The Brokenhearted? 
The return of Kentarō Miura's violent fantasy epic to the little screen brings with it a fidelity to its strong characterization and powerful story -- and a renewed appreciation of all that was problematic the first time
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'Only Yesterday': All The Things I Was 
Unseen in English since its original 1991 release, this Isao Takahata/Studio Ghibli production was more than worth the wait, and not just for its name recognition
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See more From The Manga posts from 2016