Tears Of Joy For 'The Art of Satoshi Kon' August 24, 2015
A splendidly curated art collection from across the career of an anime and manga luminary reminds us of what we had, and what we lost
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'Paranoia Agent': We Have Met The Enemy And He Is Us October 3, 2014
The real monster in Satoshi Kon's genre-defying black comedy of horrors is human nature itself
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'Rashōmon': The Post-Truth Condition October 7, 2019
Ryūnosuke Akutagawa's story, and Akira Kurosawa's movie, have endured to tell us something about the nature of truth in a time when we can hardly trust the words we hear in our own heads
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'Carole & Tuesday': The Mars Volta September 23, 2019
Shinichiro Watanabe's new series, about two young women trying to make their music their way, either needed more SF or less of it to really work
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'Promare': The Burning World September 15, 2019
Studio Trigger's first theatrical film is so dazzling it threatens to melt the eyes right out of the head, but suffers from feeling like a TV series truncated into a two-hour slot
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Akio Jissōji's 'The Buddhist Trilogy' September 9, 2019
Almost totally unseen outside Japan, these three art projects by a director best known for his 'Ultraman' work are anything but easy viewing, but also seething with vision and ambition
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Tomihiko Morimi's 'The Night Is Short, Walk on Girl': How One Thing Leads To Another September 2, 2019
This newly translated novel, the basis for Masaaki Yuasa's madcap movie, is just as wild as its successor, with the advantage of slightly more insight into its female protagonist
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'Tomie': The Infinite Bad Penny August 12, 2019
Like all great horror, Junji Ito's now-classic series about an undying supernatural siren has something to say other than "boo!"
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'Princess Jellyfish': Girls, Be Ambitious! August 5, 2019
A sly treatise on gender roles and presentation, wrapped in a screwball romantic farce and delivered with great affection
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Katsuhiro Ōtomo's 'Domu': A Child's Book Of Nightmares July 15, 2019
A shame that any of Katsuhiro Ōtomo's work should still be out of print, especially this precusor to 'AKIRA' that pits psionic warriors against each other in a high-rise apartment complex
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'No-No Boy': John Okada's First, Last, And Only July 8, 2019
The first major piece of fiction by an Asian-American originally vanished from sight, and seemed all but gone after the death of its author, but found new life in reissues across the decades
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'Unforgiven'/'Yurusarezarumono': From The Wild West To The Deep North July 1, 2019
Sang-Il Lee's Meiji-era remake of Clint Eastwood's now-classic Western doesn't quite eclipse its predecessor, but it doesn't need to; it stands very nicely on its own
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